Discipline learned from twenty years in theatre sound and paying attention to detail is how I approach sound on corporate events. I prefer working from a scripted run of play or show flow but can just as easily adapt to a freeform event structure. My approach on events is to spend the allotted time getting the best sound possible in the space and once that is done, focus on the cues and the mix.

Quality, clarity, imaging, separation and depth are some of the key elements that I aspire to provide when designing sound. The ability to work easily with other creatives and talent, and my grasp of the ‘big picture’ are additional qualities which I bring to the table.